檔案1
柏林新音樂室內樂團《立體鏡》
【2019 Weiwuying TIFA Contemporary Music Platform】Ensemble KNM Berlin “Stereoscope”
基本資料
2019-04-20
4/20-21 11:00AM
4/20-21 02:30PM
4/20-21 17:00PM
《立體鏡》2015年以Le Stéréoscope des Solitaires之名稱於法國首演，演出以「音樂劇場裝置藝術」模式呈現，融合音樂會、劇場、舞蹈及裝置藝術等形式。表演的空間將會開放給觀眾自由進出。《立體鏡》取材自1972年阿根廷裔義大利籍作家暨詩人威科克（Juan Rodolfo Wilcock）所發表的66篇短篇故事集，威科克於作品中呈現了70個孤獨的不同角色，有：一對食人族夫婦、落入凡間的神祇、無法忍受日曬的書呆子、愛畫靜物畫的瘦削人馬、失業的天使，還有一隻不住在地中海邊的美麗洞穴、而是住在醜陋河流邊糞肥堆的美人魚。這些角色雖處於世界的邊緣，和外界毫無連結，但他們憑藉決心、勇氣、瘋狂和聰慧，為自己而活、替人生做主。製作團隊將這個非比尋常到極為怪異的世界，詮釋為一個奇異的城市，當中有個詭異奇妙的樂團，樂團一半成員是人類、一半是動物。這群音樂家企圖挑戰不可能的任務──儘管遺世獨立，儘管各有各的心事和阻礙，他們都會繼續尋找一個由共同音樂語言構築的烏托邦。
Stereoscope has been premiered under the French title Le Stéréoscope des Solitaires at the National Scene “Manège” in Reims (France) in the frame of the Festival “Reims Scènes d'Europe” in 2015. Stereoscope is a Music-Theatre-Installation combining means of concert, theatre, dance, and installation art. The performing space will be open for the audience to step in and to discover music, dance and installation work from nearby or from distance by walking around. Stereoscope is based on the collection of sixty-six short stories published in 1972 by the Argentine-Italian author and poet Juan Rodolfo Wilcock. In this work, Wilcock presents seventy different lonely personalities, for example: a couple who are cannibals; Gods who somehow ended up living in our everyday world; nerds who cannot stand being in the sun; a scrawny centaur who paints still life; an out-of-work angel; and a mermaid who is not in a pretty cave by the Mediterranean but rather lives in manure on the banks of a putrid river. The characters live on the edge; they are out of sync, and they stand up for themselves and their life choices with determination, bravery, madness and intelligence. The artistic team interprets this fantastical, even eccentric world as a strange city, home to a weird and wonderful orchestra which is half-human, half-animal. There, the musicians will attempt the impossible: despite their isolation, their respective obsessions and hindrances, they continue their quest for the utopia of one common musical language.
作曲 電子伴奏｜安娜．瑪麗亞．路德里格
導演｜英格麗．馮．凡托荷．雷科夫斯基
燈光設計 舞台設計｜弗雷．波莫林
音效設計｜ 安德烈．巴帖茲基
服裝設計｜嘉比莉樂．科特曼
製作經理｜湯姆士．布恩斯
演奏｜柏林新音樂室內樂團
Music and Live-Electronics｜Ana Maria RODRIGUEZ
Direction｜Ingrid von Wantoch REKOWSKI
Lighting and Stage Design｜Fred POMMEREHN
Sound Design｜Andre BARTEZKI
Costumes｜Gabriele KORTMANN
Production Management｜Thomas BRUNS
Musician｜Ensemble KNM Berlin
4/20(六)10:20-10:40、13:50-14:10、16:20-16:40於音樂廳三樓大廳內由台灣新銳作曲家周久渝老師 進行演前導聆
4/21(日)10:20-10:40、13:50-14:10、16:20-16:40於音樂廳三樓大廳內由台灣新銳作曲家周久渝老師 進行演前導聆
◆視覺圖照片版權：Pierre Gondard
評分
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