財團法人東元科技文教基金會《2024 驚嘆樂舞 - 臺灣原住民樂舞饗宴》

2024 Amazing Dancing & Music - The Performing Arts of Taiwan Indigenous People

基本資料

返璞歸真，有聲有色

原住民族群的傳統歌謠舞蹈祭儀獨特美好且珍貴，但在傳承、保留與發揚方面，在主流文化的衝擊下，陷入瀕臨失傳的困境。因此，財團法人東元科技文教基金會於2003年起，號召各界攜手建置「原住民傳統樂舞技儀傳習教育」的資源供需平台，並且以「認養」傳習經費的方式，攜手支持原住民傳統樂舞祭儀的文化復振與傳承計劃，因為持續產出令人驚豔的「傳統文化藝術、教育成果、族群永續的能量」，所以在2009年起定名為「驚嘆號」，對於「只有語言沒有文字的臺灣原住民族群」，具傳承、發揚與永續的意義。

為了促進傳習團隊積極地展開文化復振的傳習計畫，2005年起，以劇場形式製作，激勵團隊挑戰專業的舞台，經過二十年的鍛鍊，展演傳習成果的「驚嘆樂舞」，不僅成為「驚嘆號」之核心計畫，也是傳統古老珍貴的族群文化藝術數位典藏的工程。

2024年，邁入第20年，類似規格的演出場次累計達30場以上。2024年「驚嘆號」所支持之樂舞團隊，計達37隊。「驚嘆樂舞」首次移師高雄衛武營辦理，計畫邀請七個原住民傳習團隊，展演排灣族、阿美族、布農族、鄒族、太魯閣族等五個族群的傳統樂舞與祭典。部分古謠將由灣聲樂團的音樂總監李哲藝老師與音樂家，根據古謠人聲編曲，並賦予古謠層次豐富的特色，成就古謠與樂舞跨界演出的精品；編創與展演的精彩影音都是長期淬煉與累積的結果。演出團隊橫跨屏東、臺東、嘉義、花蓮等四個縣市，演出人數超過329人。專精於燈光、音響、影像與舞台技術等劇場專業人士，亦以熱愛原住民傳統文化藝術的熱情，參與製作與執行。2017-2023年，驚嘆號持續以「驚嘆樂舞—臺灣原住民樂舞饗宴」入圍傳藝金曲獎七次、一次獲獎的實力，持續推動原住民傳統樂舞傳習成果展演與數位典藏的工程。

演出製作說明：自驚嘆號的37個傳習團隊中擇七個原住民傳習團隊

1. 採集田調自己部落的傳統歌謠舞蹈祭典。


2. 號召族人團練傳習，並以劇場展演為目標，各編創製作10-20分鐘的展演。


3. 共同演繹太魯閣族、鄒族、排灣族、布農族、阿美族等五大族群七大部落或地區的傳統古謠舞蹈與祭典儀式。


4. 製作團隊由熟稔原住民表演藝術和劇場展演的組成，部分演出以跨界的形式由灣聲樂團編曲與演奏（16席），賦予古謠層次豐富的特色，成就古謠與樂舞跨界演出的精品；編創與展演的精彩畫面，皆是長期淬煉與累積的結果。


5. 讓50首以上悠遠的古調與舞蹈祭儀，以「返璞歸真」的精神，嚴謹且精彩的呈現。


6. 以「返璞歸真」為精神製作純粹專業，且深具傳統文化藝術價值的演出，同時透過展演促成所有團隊建立製作、演出、文化保存、傳承、復振的專業能力（含人才培育）。

The traditional ballads, dances and rituals of Taiwan's indigenous people are unique, beautiful and precious. However, under the impact of mainstream culture, the inheritance, preservation and promotion of the traditional culture of Taiwan's indigenous people are on the verge of being lost. Therefore, since 2003, the TECO Technology Foundation has been calling for collaborative efforts to establish a platform for resource supply and demand. This involves "adopting" training funds to collectively support the transmission and education of traditional music and dance skills for indigenous communities. The cultural revitalization and inheritance plan has been named "Exclamation Mark" since 2009. It continues to produce "traditional culture and art, educational achievements, and sustainable energy." It helps Taiwan's indigenous ethnic groups with spoken but unwritten languages significantly in terms of inheritance, development, and sustainability. 

To encourage the transmission team to actively carry out the cultural revitalization program, a form of theater has been produced since 2005, motivating the team to challenge the professional stage. After 20 years of training, the results of the transmission have not only turned "Amazing Dancing and Music" into the core project of "Exclamation Mark" but also made it a project for the digital collection of traditional, ancient, and precious ethnic culture and art. Until 2024, more than 30 performances of "Amazing Dancing and Music" have been produced. 

In 2024, 37 teams are being supported by "Exclamation Mark," and, for the first time, "Amazing Dancing and Music" will be held at National Kaohsiung Center for the Arts (Weiwuying). 7 indigenous transmission teams have been invited to perform traditional music, dance, and rituals representing five ethnic groups, including Paiwan, Amis, Bunun, Tsou, and Taroko. Some of the ancient ballads will be arranged by LEE Che-yi, the music director of the One Song Orchestra, and other musicians based on the vocals of the ancient ballads. The program is being given rich layered features to the ancient ballads, creating a high-quality crossover performance of ancient ballads and dance to produce a wonderful video and audio performance that is the result of long-term tempering and accumulation. The performance team comes from four cities, including Pingtung, Taitung, Chiayi, and Hualien, with more than 329 performers. Theater professionals who specialize in lighting, sound, imaging, and stage technology are also hired to participate in the production and execution with their passion for indigenous traditional culture and art. From 2017 to 2023, "Exclamation Mark" has continued to be shortlisted for the Golden Melody Award for Traditional Arts (GMAFTA) seven times and won once with 2020 Amazing Dancing & Music - The Performing Arts of Taiwan Indigenous People and it continues to promote the exhibition and digital collection of traditional indigenous music and dance.

Performance production instructions: 7 indigenous transmissions teams were selected from the 37 teams in Exclamation Mark.

1. Collecting the traditional ballads and dances of one's own tribe in the fields.


2. Call on the tribe members to practice in groups, and aim for a theater performance. Each group will create and produce a 10-20 minute performance.


3. Jointly perform traditional folk songs, dances and rituals of seven major tribes of the five major ethnic groups, including the Taroko, Tsou, Paiwan, Bunun and Amis.


4. The production team is composed of individuals familiar with indigenous performing arts and theater performances. Some performances are arranged and performed by the One Song Orchestra in a crossover form, providing ancient ballads a rich layer of features. The exquisite crossover performances and wonderful scenes of creation and performance are all the result of long-term tempering and accumulation.


5. More than 50 ancient tunes and ritual dances are presented rigorously and wonderfully in the spirit of "returning to nature."


6. Purely professional performances with deep traditional cultural and artistic value are produced in the spirit of "returning to nature." At the same time, through performances, professional capabilities in production, performance, cultural preservation, inheritance, and revitalization (including talent cultivation) are built for all teams.

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