檔案1
栢優座《變奏巴哈─末日再生》
2012 Innovation Series-Po-yo Base Troupe: Bach Variations: Rebirth
基本資料
2012-12-07
2012/12/07-2012/12/09
1985年，賴聲川導演帶領的集體創作《變奏巴哈》
用巴哈的十二平均律入戲，震撼台灣劇場界
譽為當時最具實驗性，形式最大膽的作品
2012，40多個角色即將「末日再生」
聽著顧爾德版的巴哈十二平均律，讀著《變奏巴哈》的劇本，宛如一道河流，捲入四十餘名角色的生、離、死、別、愛、恨、情、仇。
一場相親，扯出一片片生命的斷面，過往一楨楨，人世風景走馬燈般掠過，演員化身無數你我，精密的肢體動作創造出一連串綿密的印象，深入人生，深入你心。
Bach Variations : Rebirth is a work of collective improvisation developed by Stan LAI with his students at the Dept. of Theatre at the National Institute of the Arts in 1985. Arranged according to compositional structure of The Well-Tempered Clavier by Bach, the play is sectioned into three chapters including monologues, scenes of ordinary lives, letters to the dead and future mankind, and excerpts from novels.There is not a unifying coherent storythroughout the play; fragments of human relationships and feelings are cut and pasted to patch a compositional whole where characters are like musical phrases or notes in diglogues, repetitions and transformations. This Rebirth version is re-created using the original as it blue print. Conceptually it is like a river into which everyone is twirled; it also feels like a screen where scenes of leaving, separating, living and dying pass by dreamily. Visually the stage is two-faced; to a certain extent it also looks back at and speak to the original production.
《變奏巴哈》
典藏單位：國家兩廳院，實體文物請至兩廳院表演藝術圖書館申請觀看。
媒體類型：紙本
評分
電話：02-3393-9798 ︳傳真：02-3393-9798 ︳地址：100011 臺北市中山南路 21-1 號
Copyright ©國家表演藝術中心數位典藏系統 版權所有 All rights reserved.
