2024新點子實驗場 王甯《隙》

Cracking

基本資料

前言

「新點子實驗場」支持創作者突破框架與想像，實踐創意構想，實驗演出形式，以嶄新觀點開啟對話，回應當代社會。2024年「新點子實驗場」以「破」為概念，四位創作者突破過往，跨越自我創作與生命經驗的邊界，帶來不同切角的破格作品。

四檔節目中包含兩檔「2023年新點子實驗場R&D計畫」入選作品：李祐緯突破戲劇文本表演方式，使用饒舌轉譯西方經典希臘悲劇的《伊底HIPHOP斯王》；王甯反思個體如何面對權力結構並尋找身體流動力量的《隙》。另兩檔邀演作品：林廷緒的《大吻琉璃》從創作映照基層勞工的血汗，用當代身體復刻勞動的價值；劉奕伶的《Turn Out》將單口喜劇的「聲」結合舞蹈的「身」，獨角演繹糾纏青春的舞者人生。

新點子，不只是轉瞬迸發的創意火花，更是用創作探問世界的挑戰與極致實驗。

作品簡介

所有事物第一時間來到我們面前都是徹底的整體，唯當裂隙出現，空間被撐開，思考與運動才得以發生。

舞蹈創作者王甯，反思全球消費文化高速運轉下，過量生產與過度製造的極端現象，令他感到詭譎失衡、不協調，甚至耗竭的身體狀態。在錯位的時間規律裡停下思考。

我的身體為什麼長成現在的樣子？

我們到底身處在一個什麼樣的世界？

這位臺灣的、女性的、90後的藝術家，藉由回訪個人身體系譜，企圖從歷史經驗及教育模式體察現今人們共處的複雜結構。面對難以撼動的龐大體系，他想問，一個人，要如何帶著他的身體，奮力尋找並試圖瞥見結構之間可能的隙縫，拾起能夠穿越、顛覆與嬉戲的力量。這趟看似孤寂的獨舞探索，卻也是與集體的共舞；從個人微觀感受，反映社會現象。

王甯攜手擊樂家薛詠之即興譜曲，在音景設計鄭兆恩與空間設計趙卓琳切割後重組的傾斜空間裡，透過充滿流動的詩性語彙，邀請觀眾進入他們共同建構的這部混亂、破碎、奇異的多重時空。

Prologue

NTCH IDEAS Lab encourages creators to break free from established frameworks and unleash their imaginations. It provides support for realizing innovative concepts, experimenting with new performance forms, and engaging in dialogues from fresh perspectives. The theme of "breaking" is central to the productions of NTCH IDEAS Lab 2024. In these works, the four creators push beyond previous boundaries, seeking to transcend the limits of their past creations and life experiences by crafting unconventional works from unique viewpoints.

Two works among the four productions are selected for the 2023 IDEAS Lab -R&D program. Approaching the staging of a dramatic text with innovative methods, Lee Yo-wei offers a modern-day rap rendition of the classic Greek tragedy in Oedipus Rap Rex. In Cracking, Wang Ning reflects on how an individual confronts power structures and explores the energy of the body's fluidity. The lineup also includes Lin Ting-syu's Guardians on a Glazed Tile Roof, which depicts the sweat and toil of grassroots workers through creative expression and recreates the true essence of labor with contemporary bodies. Liu I-ling's Turn Out combines the "voices" of stand-up comedy with the "body" movements of dance for a solo enactment portraying the youthful complexities of a dancer's life.

IDEAS Lab not only celebrates the fleeting spontaneity of creative sparks; it also serves as a challenging and ultimate experiment, exploring the world through artistic creations.

About the Work

At the outset, all things present themselves as whole and complete entities. It is only when gaps emerge and spaces open up that thoughts and movements can transpire.

Choreographer Wang Ning reflects on the extreme phenomena of overproduction and over-manufacturing within a high-speed global Capitalism, which leaves her with a corporeal sense of imbalance, discordance, and exhaustion. She pauses within this disjointed temporal pattern to contemplate:

Why has my body become the way it appears?

What kind of world are we inhabiting?

This Taiwanese, female, post-90s artist revisits her personal dance genealogy to interrogate our current complex structure of coexistence through historical experience and pedagogy system. Confronted with an immense, unyielding system, she questions how, using the body, an individual can strive to find and attempt to glimpse possible fissures within these structures in order to reclaim the power to traverse, subvert, and play. This seemingly solitary dance exploration also resonates with the collective; it reflects social phenomena through the microcosm of personal perceptions.

With the improvisational music of percussionist Hsueh Yung-chih, and within a fragmented space reimagined by soundscape designer Cheng Chao-en and space designer Adrianne Chiu, Wang Ning invites the audience through a fluid poetic lexicon to enter this collaborative construction—this chaotic, fragmented, and uncanny multiplicity of time and space.

《隙》

"Cracking"

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