NSO名家系列《鋒芒新銳》
Ray Chen & NSO
基本資料
2019-10-26
07:30PM
俄羅斯與波蘭在歷史上雖恩怨難解，文化上因位置毗鄰、血緣相近，經常往來互動。波蘭裔小提琴巨擘維尼奧夫斯基曾在奧爾之先，於聖彼得堡音樂院作育英才，開啟「俄國小提琴學派」。而柴科夫斯基第三交響曲中的波蘭舞曲則讓此作被暱稱《波蘭》。NSO將兩者之作並列，解讀因交流激發出的火花。被喻為「帕格尼尼再世」的維尼奧夫斯基八歲時被巴黎音樂院破格錄取，11歲畢業。17歲時完成第一號小提琴協奏曲，對他易如反掌的技法，對獨奏者則構成莫大的挑戰，特別是第一樂章的雙音及輝煌的裝飾樂段。輕聲呢喃而有「祈禱」之稱的第二樂章夾在前後兩個光芒四射的樂章之間，留給聆者片段舒緩的空間。第三交響曲在柴科夫斯基同類作品中獨具一格，唯一使用大調，並包含五個樂章。柴科夫斯基仰慕舒曼，此曲的五樂章形式及曲中開朗樂觀的氣氛，明顯受後者同為第三號的《萊茵》交響曲影響。音樂學者曾表示，若舒曼是俄國人，他也會有相同的樂念。
Russia and Poland have entertained an intricate love-hate relationship over history, as both countries are neighbors in terms of cultural heritage and geopolitics, facilitating an eventful career of cultural exchange. The polish violin virtuoso Henryk Wieniawski has taught at the Saint Petersburg Conservatory before Leopold Auer joined the professorship, initiating what is known as the Russian School of Violin playing. In the other way round, the polonaise of the finale in Tchaikovsky’s Symphony No. 3 brought the piece the sobriquet of “the Polish Symphony.” In juxtaposing the works of Wieniawski and Tchaikovsky, the National Symphony Orchestra of Taiwan seeks to explore the artistic sparkles integral to this encounter between the Polish and the Russian. Lauded as the “reincarnation of Paganini,” Wieniawski was admitted to the Paris Conservatoire at the age of 8, for which the school made an exception to accommodate his talent. He graduated three years after and completed Violin Concerto No. 1 when he turned 17. What was pedestrian for him proved to be excessively demanding to other violin soloists, especially the double-stopping and brilliant ornamental passage in the first movement. In contrast to the exuberance of the first and the last movements, the second movement eases off into a gentle interlude and is thus called Preghiera, signifying “prayer.” Symphony No. 3 stands out as a unique oeuvre among Tchaikovsky’s works: it is the only one that uses a major scale and comprises five movements. The formal layout and the general alacrity of this symphony overtly bespeak the influence of the Rhenish Symphony (which shares the cardinal number of 3) by Robert Schumann, much admired by Tchaikovsky. It has been suggested by a musicologist that if Schumann had been Russian, he would have had the same creative impetus.
指揮｜張宇安
小提琴｜陳銳
樂團｜國家交響樂團
Conductor｜CHANG Yu-an
Violin｜CHEN Rayn
National Symphony Orchestra
10/26 (六) 18:50-19:10於音樂廳三樓大廳由衛武營藝術總監 簡文彬進行演前導聆。
◆本作品為國家交響樂團與衛武營國家藝術文化中心共製作品
評分
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