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TIFA - Taiwan International Festival of Arts2015 台灣國際藝術節羅莎舞團 Hosas & Anne Teresa De KeersmaekerDRUMMING
2015 TIFA-Drumming by Rosas & Anne Teresa De Keersmaeker
基本資料
2015-03-14
2015/03/14-2015/03/15
Drumming （ 1998）是安娜．泰瑞莎．姬爾美可（Anne Teresa De Keersmaeker）最引人的作品之一，耀眼的舞蹈肢體從史蒂夫．賴克（Steve Reich）的打擊樂曲發展而來。這位紐約極簡主義者的音樂在她的第一部舞作Fase （1982）中已是重要的創作主線。 賴克於1970〜1971年之間寫就 Drumming，在他自非洲的專研之旅返回後沒多久的時間。此曲奠基於唯一一個具有節奏性且不斷縈繞的樂曲動機，並在不同的材質上展開豐富的變化，有動物皮、木頭、金屬以及細微飄渺的歌聲。賴克在此曲中，將〈鋼琴位相〉（Piano Phase） （Fase的音樂）的技巧推至極致：樂手以難以察覺的加速漸次拉開彼此的一致，由此製造出一種閃爍般卡農的無限性。「強音當代古典樂團」（Ictus Ensemble ）則以令人驚訝的精準給予這支迷人樂曲更強烈的生命力。 安娜．泰瑞莎．姬爾美可的編舞遵循此精神，更加突顯這支樂曲的價值：編舞的複雜性從唯一的舞句而生，這個舞句則臣服於時間與空間中突變的無限性。這一切都要直到打擊樂停下、而舞者的身體靜止不動，觀眾才會意識到他剛剛經歷了什麼：一趟令人陶醉的旅程，一波純粹的舞蹈和純淨的聲音，及一場生命能量的漩渦。
Drumming （1998） is undoubtedly one of Anne Teresa De Keersmaeker's most fascinating choreographic works: a dazzling dance set to a powerful score for percussion by the American minimalist Steve Reich. Reich's work had provided De Keersmaeker with a guiding musical thread ever since Fase （1982）, her debut as a choreographer. Reich wrote Drumming in 1970-71, shortly after a study trip to Africa. The scored is based on a single obsessive rhythmic motif: it multiplies and develops into a rich variety of textures. A composition in which, in addition to skins, wood and metal, one also hears the subtle presence of voices. In this work Reich takes to the extreme the technique he had previously applied in Piano Phase （a part of Fase）: by accelerating, the musicians almost imperceptibly ‘disrupt’ their unison playing, which gives rise to an endless interplay of canons, each reflecting the other. The Ictus Ensemble brings this compelling score to life with breath-taking precision. In her choreography, Anne Teresa De Keersmaeker preserves the spirit of the score and at the same time enriches it: just as in the music, the complexity of the choreography arises out of a single phrase of movement to which endless variations in time and space are applied. It is only when the drums fall silent and the bodies come to a standstill that the spectator realizes what he has witnessed: a stunning journey, a wave of pure dance and pure sound, a vortex of life energy.
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