檔案1
2025中國信託新舞臺藝術節✕兩廳院秋天藝術節－楊‧馬騰斯《再見狗日子》
2025 CTBC Arts Festival ✕ Artquake in Autumn – Jan Martens / GRIP: THE DOG DAYS ARE OVER 2.0
基本資料
2025-11-07
2025/11/07 07:30
2025/11/08 07:30
2025/11/09 02:30
八名舞者重複跳躍、奔跑，極力維持高度整齊；直到完美出現裂縫，節奏錯亂，寫實的徬徨無所遁形。你為什麼還要繼續？我為什麼在這裡？這是表演，也是雙向的反思提醒。
《再見狗日子》於2014年首演即震撼歐洲舞壇，編舞家楊・馬騰斯直刺光鮮表演背後不為人知的勞動與壓迫。巡演超過十年，這回他召集新一代舞者，以不變的結構，不同的身體，再次對這個不斷加速與過勞的世界發出諷刺的異音。這是舞蹈，也是勞動，更是日常生活的鏡像隱喻。當完美成為目標，我們是否都在某個看不見的舞臺上拼搏不息，直到喘不過氣、筋疲力盡？
THE DOG DAYS ARE OVER 2.0 has been one of Jan Martens’ most important works to date. A decade later, in 2025, Martens and GRIP are recreating it with a new cast. Martens was inspired by a quote attributed to American photographer Philippe Halsman: “When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.” Martens seeks to expose the person within each dancer through sustained jumping. A cast of eight dancers strives for perfection but, due to the complex, mathematical, vigorous, and exhausting choreography, ultimately slips up, and the masks fall. Audiences are no longer merely observers subjected to an experience but actively begin to reflect on it, contemplating their compassion for the dancers and the line between art and entertainment.
典藏單位：國家兩廳院，實體文物請至兩廳院表演藝術圖書館申請觀看。
媒體類型：紙本
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