第五屆台北國際合唱音樂節 2004福爾摩莎國際藝術節

基本資料

人星星是人類最基本的樂器，隨著不同時代，語盲、種族的發展，留下全世界各族群珍貴的寶藏，就像是活的文化資產，可以帶著走，隨時隨地的演出，成為全體公民普遍參與的最佳管道，我們對於文化藝術活動、資源、資產與發展，應共同承擔起參與支持、維護與推動的責任，人聲即是落實文化公民權的重要基礎工具。

兩年一度的台北國際合唱音樂節邁入第五屆，台北愛樂文教基金會投注大量心力，不僅安排合唱研習、指揮研習、專題演講及學術研討會等系列活動，更邀請來自挪威、澳洲、捷克、委內瑞拉、韓函、印尼等國優秀合唱團，舉辦近二十場的全省巡迴演出及戶外獻唱，讓各界聽眾能夠在自己的城市享受國際級的演出水準，增進合唱藝術的互動與廣度，提供全國愛樂朋友在炎炎夏日最佳消暑良伴。

合唱( Chorus)意謂「眾人的歌唱」產生於十t世紀，以音樂會方式呈現發展至今，成為雅俗共賞，廣受大眾喜愛的表演藝術!而合唱在台灣原住民族與語吉、宗教、信仰、祭祖、神話、愛情、舞蹈、工作、家族...一等各生活層面密不可分，表現出各民族感情與人生觀。布農族的“Pasipotpot" ( 祈禱小米豐收歌)八部男聲合音，早已成為民族音樂界經典合唱曲。

「合唱」藝術隨著時代的變遷，日新月異，賓為人聲笑妙的極致展現，透過歌聲拉近人與人之悶的距離，跨越時空、國界、種族的藩籬，為芸芸眾生帶來心靈最大的安慰「台北國際合唱音樂節」熱誠歡迎各界朋友踴躍參與、共襄盛舉，並謹此感謝承辦單位「財團法人台北愛樂文教基金會J以及幕前幕後工作人員籌辦活動的辛勞，國內、國外演出人員的熱情演出，各界的支持與鼓勵，敬祝藝術節活動圓滿成功!

 

The human voice, the most basic of musical instruments, constantly evolves with the passage of time and the growth of human languages and communities. It has enriched different peoples immeasurably. But the human voice is something that is carried within ourselves and can be “played" anytime, anywhere. As such, it is a best means by which mass participation can be achieved.

Granted that we should try to make cultural activities, resources and development a common responsibility lor all citizens， we will find the human voice an important means by which the cultural rights of citizenry are realized The current Taipei International Choral Music Festival, a biennial event, is the fifth in succession. The Taipei Philharmonic Foundationlor Culture and Education has spared no effort in organizing it, arranging choral singing workshops, conducting workshops, speeches, and seminars in connection with the main event.

It has invited choirs Irom Norway,Australia,Venezuela, South Korea, and Indonesia to perform in nearly 20 indoor and open-air concerts across the count吋 In this way, audiences can enjoy world-class music in their home αties， while participating choirs can benefit by each other's art For music lovers， this should be the best musical treat in the summer heat “Chorus," a 17.-Century word, means a group of persons singing in unison. Performed mostly in concerts, it has become a highly popular genre among both the well versed and the lay. In Taiwan, choral singing is inseparable lrom the island's aboriginallanguages, religions, beliels, sacrifiαal rites, mythology, romantic love, dancing,work, and clans, giving voice to their leelings and philosophies. The Bunun Tribe's "Pasipotpot," an eight-part male-voice choral prayer lor bumper harvests, has long become a classic in ethnical music The art of choral singing keeps developing, bringing about a steady stream of innovations. It simply epitomizes the beauty of the human voice.

Music transcends interpersonal distance, time, space, and national and ethnical boundaries and soothes the heart. People Irom all walks of lile are welcome to participate in the Taipei International Choral Music Festival. 1would like to take this opportunity to thank TPFCE and others lor their hard work, and 1am gratelul to the participating local and foreign artists and those who have given their support. 1wish the event every success.

我夢見喬維內姐
歌唱的鳥兒
靈魂的國度
無題第一、三、五號
哈雷路亞
五聲音階歡呼歌
丟丟銅仔
送別
八駿贊
垂憐經選自台灣彌撒
我在飛翔還自飛翔組曲
水牛寶會
心愛的女郎
打漁歌
愛情魔咒
舞!

Io Mi Son Giovinelta
Quel Augellin Che Canta
My Soul, There Is a Country
Nonsense Nr. 1, 3, 5
Halleluva
Indra Simaniuntak
Drip, Drip, Drip
See Off
Ode to Eight Horses
Kyrie from "Taiwan Mass"
I Am Flying from "I Am Flying"
Sik-sik sibatumanikam
Kerraban Sape(Traditional Folksong from Madura)
o Inani Keke (Traditional Folksong from Minahasa)
Cing Cangkeling (Traditional Sundanese Folksong)
Gai Bintang(Traditional Folksong from Madura)
Yamko Rambe Yamko (Traditional Folksong from West Papua)
Luk-Iuk Lumbu(Traditional Banyuwangi Folksong)
adapted by Mardjuki Usman
Janger(Traditional Balinese Folksong)

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