2023秋天藝術節 : 楊．馬騰斯《任何搞分裂的企圖都將以粉身碎骨告終》

Jan Martens, GRIP & Dance On Ensemble: any attempt will end in crushed bodies and shattered bones

基本資料

轟動法國亞維儂藝術節，全球巡演近百場零負評！

比利時怪才編舞家 楊．馬騰斯成名之作即將來臺！

不選擇隨波逐流，就一定會粉身碎骨嗎？

比利時怪才編舞家楊．馬騰斯創作生涯最大型作品首次登臺！舞作邀請十七位從18到72歲，性別、膚色、形象各異的表演者組成非典型舞團，共同探索「不完美」所蘊含的獨特力量，擁抱個體的多元性，為不同族群發聲。並透過舞蹈、音樂及詩詞文本，探討個人與群體如何以身體回應世代聲浪—無論是氣候變遷、社會政經議題，還是各種舊有及新興體制，舞者們透過充滿個性和張力的肢體語言，在時而靜止，時而挑戰極限的節奏中，演繹著浪漫的相聚和殘酷的抵抗。

全球抗爭浪潮席捲之下，我們在抵抗的，究竟是什麼？在沉默、吶喊、停滯、壓力之外，我們還有哪些選擇？

作品名稱除了轉化中國領導人習近平針對香港反送中示威人士所發出的警告，舞作亦匯集了來自不同時期的抗議歌曲，從波蘭文藝復興三傑代表人物—當代作曲家亨里克．葛瑞茲基（Henryk Gorecki）的大鍵琴協奏曲，到爵士音樂家馬克斯．羅契和艾比．林肯（Max Roach & Abbey Lincoln）的歌曲、英國說唱詩人Kae Tempest的流行樂，以及蘇格蘭作家艾莉．史密斯（Ali Smith）的詩句，透過歷史回望當代。舞作更透過多元樣貌的舞者組成，挑戰大眾對於傳統芭蕾的既定印象，在舞臺上重新演繹獨立與自由，以及對於反叛精神和失序的讚美。

《任何搞分裂的企圖都將以粉身碎骨告終》於2021年法國亞維儂藝術節首演即引起轟動，全場觀眾起立鼓掌長達數十分鐘，獲得了極高的評價，這部作品也讓楊．馬騰斯在歐陸現代舞界聲名大噪，成為當今國際舞壇最炙手可熱的編舞家之一。

這一場別開生面的集體舞，讓我們用舞蹈歌頌不妥協的意志

這是一部獻給所有人的作品，一首讚美公民不服從的頌歌；每一次關節扭轉、每一步跳動、每一回伸展都鏗鏘有力。讓我們以舞蹈及劇場為載體，擁抱多元的聲音和群體力量，重新審視個人與集體如何抵抗暴力，一同尋找共鳴的途徑。

'Snowflakes, leaves, humans, plants, raindrops, stars and molecules all come in communitiebookes. The singular cannot really exist.'

- Paula Gunn Allen in Grandmothers of the Light: A Medicine Woman's Sourc

With any attempt will end in crushed bodies and shattered bones, Jan Martens is for the first time fully turning his attention to the main stage. A production about the power that lies in being out of step, performed by a seventeen-strong, atypical corps de ballet made up of unique personalities.

The heterogeneous group of dancers spans several generations, the youngest being 18 and the eldest 71, with significant differences between them in terms of track record and technical background. In any attempt will end in crushed bodies and shattered bones, they seek their own voice within the dance and beyond, looking for an idiom that fits them like a glove. One by one they claim their place on stage, without cutting off the others for all that. A horizontal exercise in giving each other the necessary space, while being careful not to steal the limelight.

any attempt will end in crushed bodies and shattered bones is a rich performance that does not hesitate to seek out the ecstatic. In times of extreme polarization, this group sets social dogmas aside to recognize and embrace a range of distinct identities. Being uninhibitedly themselves - in both life and art - with the stage as their ideological testing ground. They are supported by a soundtrack that consists of atypical protest songs from different ages – from Henryk Gorecki via Max Roach & Abbey Lincoln to Kae Tempest.

Since 2011, Jan Martens makes work that talks about how people relate to each other and to the here and now. This resulted in a wide array of pieces: a duet (SWEAT BABY SWEAT - 2011), solos (ODE TO THE ATTEMPT & lostmovements – 2014 & 2018), meetings between people who never saw each other before (THE COMMON PEOPLE - 2016) group pieces that are buzzing with surrender and ecstasy (THE DOG DAYS ARE OVER with 8 dancers & RULE OF THREE - 2014 & 2017), a work for young people that tackles issues such as gender diversity and gender equality (PASSING THE BECHDEL TEST – 2018).

《任何搞分裂的企圖都將以粉身碎骨告終》

"any attempt will end in crushed bodies and shattered bones"

已複製引用網址！