檔案1
瑪姬．瑪漢舞團《MAY B》COMPAGNIE MAGUY MARIN - MAY B
May B by Compagnie Maguy Marin
基本資料
2015-10-30
2015/10/30-2015/11/01
《May B》開始以一群遊蕩的隊伍，輔以唐突的劇場語彙創作，藉以轉化呈現人性中荒謬、暴力及苦惱之各種狀態。這齣舞作之所以強而有力，因爲它能夠展現我們生存於世的奧義。 《May B》創作靈感源於貝克特的作品，他的作品在劇場動作與氛圍中，呈現了舞者肢體與美感演出之間的矛盾對立，也讓觀眾可以解讀人們最親密、隱蔽及忽視的姿勢背後之含義。舞者呈現細微或驚人的姿勢，來自於許多生活中未受注意及不顯眼的部份，那些等待或是「幾近靜止」的靜止動作創造了充斥著猶豫躊躇的空白、虛無、靜謐空間。貝克特所創造的角色們渴望靜止不動，但他們卻無法控制地蠕動，不管是微微地動，還是大剌剌地動，他們還是動了。在這齣呈現劇場本質的作品中，向我們傳達的重點是：對話與語言的低限發展，勝於繁複的肢體動作。因而，如何在劇場肢體動作與舞蹈編舞語彙中尋求交會點，是一門功課。
May B sets in motion the parade of a drifting human condition with the invention of an abrupt theatrical language that transforms the ridiculous, the violent and the distressing in situations. The dance's power comes from its capacity to represent the mystery of our presence in the world. This piece is based on the writings of Samuel Beckett, whose work contradicts the physical and aesthetic performance of a dancer in its theatrical movement and atmosphere. This has enabled us to lay the grounds for a secret deciphering the most intimate, hidden and ignored gestures. The performers unveil the gestures - tiny or spectacular - of the many unnoticed and inconspicuous lives in which waiting and‘almost still’stillness create a void, a huge nothingness, a silent space filled with hesitations. When Beckett's characters yearn for stillness, they cannot help moving; be it a little or a lot, they move. In this essentially theatrical work, the point, for us, was less to develop words and speech than to create a magnified form of movement, thus seeking the meeting point between movement as applied to theatre on the one hand, and as applied to dance and choreographic language on the other.
典藏單位：國家兩廳院，實體文物請至兩廳院表演藝術圖書館申請觀看。
媒體類型：紙本
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