2010新人新視野 - 戲劇 I：讓心靈對話

Youngs Stars，New Vision-Theatre I

基本資料

《偶戲練習─男孩》：

有時候，一些畫面與意像，會像電腦病毒般的跳入我的視窗，敲打我的腦袋，有些畫面是日常生活中看見的人們，像是街邊撿拾垃圾的老婦與她的孫子，而有些畫面則白日夢般的，讓我以為自己有了幻覺，像是我不斷看見雲上有個男孩在走路，他似乎在尋找某個東西。

這些畫面像是深藏在潛意識裡充滿密碼的謎團，雖然從我的腦海中出現，卻訴說著我並不全然了解的訊息，就像是夢一般，醒來後覺得荒謬而無意義的畫面，在夢的當下，有些喜悅與恐懼，卻真實叫人印象深刻。

為了解開密碼，我決定開始這一段旅程。

我選擇了執頭偶作為解碼的工具，過程中，從偶的設計，製作，到與演員們溝通，由如伊底帕斯般的自我探尋，然後發覺，偶並非只是工具，他們同時是我的引路者，伴我在意像中迷路，並且發覺意像的背後，是我生命中與死亡相關的經驗在對我說話，但創作的迷宮永遠不是線性的前進，它不斷繞路，並透過許多隱喻和象徵作為屏障，正當我以為死亡才是主題時，我卻卡住了，在排練場中動彈不得......

接著，在某個夜晚，我停掉腦袋，某些與死亡相處的經驗重新湧上，然後新的意像與畫面又跳了出來，於是我了解，任何一個創作當下以為的主題，往往都只是個通道，通往某片風景，而過程是黑暗崎嶇，迷宮般的隧道。

這齣戲是我生命中的一首詩，而我自己，無法去解釋一首詩。

《寂寞B姐俱樂部》：

由廖美琪、姜黎琪和周豔妮組成的「霹靂，嬌娃曾經在舞場、酒吧、私人派對中...如夢似幻般地搏命演出。半成不熟的嬌娃們顛沛流離地歷經了海外流放以及邊疆發配，足跡遍及台灣各鄉野部落和歐洲各國後霹靂嬌娃」將一同站上舞台，建構美好綺麗的虛幻來迎擊人生中真實的種種荒謬，現實的層層束縛。

嬌娃大姊－廖美琪，一個幻想自己是灰姑娘的胖子，現實逼得她無法成為公主。總是用最單純的外表呈現她內心充滿慾望的矛盾衝突。

嬌娃二姊－姜黎琪，將軍的女兒，有著一千條「嚴以律人，寬以待己」的規定和生活法則。駕著一臺讓她自以為是都會新女性的老舊汽車，並以此脾脫傲視愛情的可能。

嬌娃小妹－周豔妮，自封為災難片最佳女主角，蟬聯好幾年。雙手抓著，兩腿和服下都夾著，嘴裡咬著的都是她搖擺不定的心和纖細敏感的思緒。

The Little Child: Sometimes，images and visions attack me like computer viruses and pound within my head. Some images are from my daily life, like the old lady scrounging garbage with her grandson. Some images are daydreams that fool me with their illusions. I kept on seeing a boy walking on the clouds, seemingly searching for something. Some images filled with symbolism and hidden in my sub-conscious. Although they emerge from my mind, I can not fully comprehend their messages. Just like dreaming, those ridiculous and meaningless moments upon waking were so vivid and impressive that I filled with joy and fear. In order to decipher them,I began a journey. I chose puppets to be my tool s of deciphering. Through the designing of the puppets, the making and the discussion with the actors, I searched myself and then discovered myself like Oedipus did. Puppets are more than tooIs; they are my guidance into getting lost in the images. I realized that the images came from a conversation with myself on my experience relating to death. Yet, creation is not a linear route, it continuously detours and traps me with metaphors and symbols. When I thought that death is the theme of this production, I froze and could not move a bit at the rehearsals. And then, I switched off my head one night. Some encounters with death reappeared that conjured new images and visions. I figured out that all the creations airning for a theme are just a passage. This performance is a poem in my life that I can not explain. PiIi Diva's Lonesome Pussy Club: The Charlie's Angels, Mei-Chi Liao, Li-Chi Chiang and Yen-Ni Chou, had given dreamlike shows in night clubs and private parties. After their exile, the immature Angels go on stage, constructing a wondrous fantasy to shield against the absurdity of life and shackles of reality. The big sister, Mei-Chi Liao, a plump girl imagining herself a Cinderella, is overwhelmed by the reality which deprives her of princesshood. She displays her inner conflict with the simplest countenance. The second sister, Li-Chi Chiang, is a daughter of the general who has numerous principles of “being strict to others and lenient with oneself." She drives an old car she thinks befits a modem woman, disdaining the possibility of love. The litter sister, Yen–Ni Chou, entitles herself the best actress of disaster movie. Grabbed in hands, clutched between legs and armpits, and bitten in the mouth is her indecisive and delicate heart.

《偶戲練習─男孩》
《寂寞B姐俱樂部》

The Little Child
Pili Diva`s Lonesome Pussy Club

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