歌仔戲時光機 - 搬活戲特展

The Gezaixi Time Machine

基本資料

「做戲的欲煞，看戲的毋煞（意猶未盡）」道盡歌仔戲對臺灣民眾的影響，更是常民生活中重要的娛樂。歌仔戲在臺灣歷經百餘年的發展，除了充分體現其在地性與包容性的特質外，更在臺灣傳統戲曲演進歷程中，占有極為重要的地位。從常民生活裡擷取養分生長茁壯的歌仔戲，因其獨特且靈活與即興的特質，呈現出貼近民眾生活的時代感。此次展覽以「搬活戲」為策展主題，試圖讓大家更認識這發源於大樹下、紮根於廟埕外台、走入內台戲院、電台實況廣播、並開創臺語電影時代、更是電視老三台時期的重要節目，為因應不同時代變遷，歌仔戲也融入多元的元素；為貼近庶民文化，以演員劇場為發展模式，企圖引領當代娛樂風潮，在在展現出歌仔戲在不同時代背景下的生命力，而這也都為原先樸實的演出形式增加不少韻味，更道出歌仔戲是如何「活」在我們的生活中，「活」出臺灣當代的文化風貌。為了讓更多民眾了解歌仔戲是能隨著時代演進匯入不同的能量庶民文化，展場內重現廣播歌仔戲、外台及內台歌仔戲三種型態之模擬舞台，讓觀眾在參觀的過程中藉著「在場與不在場」的場景切換，並透過影像、錄音及臨場感帶領大家重新認識這原生傳統戲曲的豐富內涵及感染力。除了靜態展覽與導覽活動之外，展覽期間特別安排「大師講堂」、「歌仔戲電影院」系列活動，從高雄在地日光少女歌劇團到雲林縣麥寮鄉紅極一時的拱樂社少女歌劇團專題介紹，以及看臺灣第一支臺語電影《薛平貴與王寶釧》寶貴記錄，並播放多部經典電影歌仔戲《流浪三兄妹》、《乞食與千金》、《孫龐鬥法》等共八部影片輪番播放，讓您一次收集到歌仔戲百年來的豐富資訊。

This Taiwanese proverb might be translated as “Even after the show ends, the audience still wants more.” This saying illuminates the influence of Gezaixi (a popular style of Taiwanese opera) on the people of Taiwan. It is an important source of entertainment in their daily life. The history of Gezaixi is more than one hundred years long. It fully embodies the local and omnivorous qualities of Taiwanese people. It is the pre-eminent form of Taiwanese opera. It has nourished itself on the nimble, improvisatory attitudes embodied in Taiwanese life. Gezaixi manifests the life of Taiwanese people through ages. This exhibition has chosen “The Gezaixi Time Machine—Staging Improvised Opera” as its theme. It will present Gezaixi's birth amongst the island's tall trees, Gezaixi's roots in the stages erected outside of Taiwan's temples, Gezaixi's entrance into Taiwan's municipal theaters, and Gezaixi's passage through Taiwanese radio, film and television. Over the course of its history, Gezaixi has absorbed a multitude of different influences. In order to attract the audience as much as possible, Gezaixi developed from its original, rather simple form to a more complex experience with many layers of charms. Throughout the years, in many different situations, Gezaixi has demonstrated its capacity to incorporate new ideas and styles. This is how Gezaixi has “lived” in and through our lives, how it has “lived” in and through contemporary Taiwanese culture. During the course of the exhibition there will be “Classrooms of the Masters”, “Site-Specific Tours, and opportunities for school field-trips duling weekdaysIt is The purpose of this exhibition is to demonstrate that traditional opera did not evolve in an orderly procession. Rather, many distinct streams of energy and ideas flowed into it over the course of decades. The exhibition space will simulate the three main forms of Gezaixi: outdoor opera, indoor opera, and broadcast opera. Quick changes of scenes can grant the viewers a sense of “presence and absence”. Films and sounds can heighten the feeling of actually “being there”. The goal is to instill in exhibition-goers a renewed appreciation for Gezaixi's richness and appeal.

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