檔案1
安銀美《千禧之龍》
Eun-Me AHN - Dragons
基本資料
2023-06-10
6/10 07:30PM
6/11 02:30PM
千禧世代是什麼模樣？如果人的出生年，像葡萄酒一樣標記了那年的氣候與風土，那同在西元兩千年降落人間的龍子龍女，會有什麼樣的集體性格？又將如何書寫屬於他們這個世代的故事？安銀美在《千禧之龍》的創作自述中，提及有別於西方傳說中邪惡的龍，龍在東亞文化圈中，是尊貴的帝王化身，是吉祥的兆頭。若新生兒生肖為龍，更是載滿祝福與期許降落凡間。若我們可以自由想像龍的形體與樣態，在現今的角度那它又會是如何？從充滿期待與樂觀的想法出發，尋找西元兩千年出生的舞者，安銀美走訪印尼、泰國與日本，希望瞭解年輕人如何生活、學習與看待世界。他們出生於網路時代，智慧型手機等科技助長全球化，更加地讓各地文化漸趨同質。難能可貴的是，學習各國舞蹈的舞者，卻也還能保有各國不同舞蹈語彙的獨特性，反映出亞洲多元的文化性格。安銀美糅合舞者所帶來不同國家的傳統舞蹈語彙及音樂，結合成現代舞動作和編曲，令人耳目一新。整體的作品調性，充滿著金屬感，舞者身穿閃閃發光的舞衣，在節奏明快的音樂中起舞，不僅炫目，也展現舞者的年輕活力與無限可能。滿佈舞台，具工業風、輕盈的伸縮鋁管，如數百條白龍在舞台上悠遊，超脫尋常感知的各種想像，明亮而迷幻。藉由實體物件與投影的交織，傳說中的龍藉此幻化，跳脫我們對於「龍」的既定想像。
What are millennials like? If the year someone is born is an indication of the climate and conditions of that year (as with wine), then what traits do the children born in the year 2000 (Year of the Dragon) share, and how should the story of their generation be related? In herdescription of the piece, AHN talks about the dragon as something different than the evil animal it is viewed to be in Western tradition. In the East, dragons are distinguishet incarnations of royalty and omens of good fortune. A child born in the Year of the Dragon is viewed as blessed and full of promise. If we let our imagination run free, what would a dragon look like in our times? Full of expectation and optimism, she began a search for dancers born in 2000, traveling to Indonesia, Thailand, and Japan to see how people of that generation live, learn, and view the world. They were born in the era of globalization spurred on by the Internet and smartphones, which has gradually homogenized the cultures of various places. Thus, it is commendable that even though she has learned about the dance from many countries, she still maintains the unique vocabulary of each in the piece, a reftection of the cultural diversity in Asia. AHN blends the traditional dance vocabularies and music from the contries of all the dancers into a contemporary piece that is like nothing you have ever seen. The tone of the entire dance is full of the sparkle of metal with glitter-clad costumes that not only catch the eye as they move with the brisk tempo but also exhibit the youthful vitality and sense of unbounded possibility in the dancers. The stage has an industrial feeling with its flexible aluminum ducts that swim around the psychedelic space like dragons, inspiring all sorts of thoughts from the imagination. Moreover, the blend of real objects and video projection takes our experience of the dragon far beyond established norms.
典藏單位：衛武營國家藝術文化中心
媒體類型：紙本
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