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2024TIFA 臺法共製擴增實境展演《黑》
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2024TIFA 臺法共製擴增實境展演《黑》

2024TIFA 臺法共製擴增實境展演《黑》

Augmented Reality Performance: Colored

基本資料

識別碼
NTCH ET 20240316
資料類型
節目單
主題次類別
主要作品名稱
2024TIFA 臺法共製擴增實境展演《黑》
節目系列名稱
台灣國際藝術節(TIFA)
首演日期

2024-03-16

演出日期

2024/03/16 10:30
2024/03/16 01:30
2024/03/16 03:00
2024/03/16 04:30
2024/03/16 07:30
2024/03/16 09:00
2024/03/17 10:30
2024/03/17 01:30
2024/03/17 03:00
2024/03/17 04:30
2024/03/17 07:30
2024/03/17 09:00
2024/03/18 10:30
2024/03/18 01:30
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2024/03/18 07:30
2024/03/18 09:00
2024/03/19 10:30
2024/03/19 01:30
2024/03/19 03:00
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2024/03/19 07:30
2024/03/19 09:00
2024/03/20 10:30
2024/03/20 01:30
2024/03/20 03:00
2024/03/20 04:30
2024/03/20 07:30
2024/03/20 09:00
2024/03/21 10:30
2024/03/21 01:30
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2024/03/21 07:30
2024/03/21 09:00
2024/03/22 10:30
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2024/03/23 10:30
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2024/03/27 10:30
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2024/03/28 10:30
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2024/03/29 10:30
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2024/03/30 01:30
2024/03/30 03:00
2024/03/30 04:30
2024/03/30 07:30
2024/03/30 09:00

演出地點
國家兩廳院 實驗劇場
國家兩廳院 戲劇院交誼廳
總場數
91
節目製作
主辦
主辦單位
相關連結
點閱數
48
節目簡介

臺法共製擴增實境展演《黑》是塔妮亞.德.蒙泰涅根據克羅黛特.柯爾文生平改編的沉浸式作品,訴說無名英雄克羅黛特從進入民權運動到遭世人遺忘的一生,由金馬影后桂綸鎂擔任中文版說書人,穿戴高科技頭顯(HoloLens 2),帶領觀眾展開一場震撼又獨特的沉浸式之旅。此次展演將比照龐畢度中心之最高規模,呈現最完整的佈景,包括公車、監獄與教堂等場景,外加場外展牆,一一重現被隱藏的歷史,還原被遺忘的真實。

你的外貌改變了。你化身為克羅黛特.柯爾文,一位平凡的15歲黑人女孩。 放學後的你正在等公車。你明瞭身為黑人沒有人權,卻有許多義務必須承擔。你知道白人與黑人必須分開坐。領取車票後,你走到公車後方就座。你知道如果白人乘客沒有座位,你必須讓座。蒙哥馬利郡向來如此運作。 但是1955年3月2日,克羅黛特.柯爾文拒絕讓座。即便司機持武器威脅、白人乘客與黑人乘客恐嚇,她仍然堅持信念。克羅黛特入獄後,決定控告政府,並且拒絕認罪。 在她以前沒有像克羅黛特這樣勇於反抗的人,現在卻鮮有人記得她的名字。 這是旅程的開始,一趟克羅黛特從進入民權運動到遭世人遺忘的旅程。九個月後,膚色較淺的女裁縫師羅莎.帕克斯(Rosa Parks)做出相同舉動,而情況卻有所不同。年輕牧師馬丁.路德.金恩(Martin Luther King)為她聲援,羅莎.帕克斯成為英雄,激發了美國民權運動。歷史就此改變。但這一切,是因克羅黛特.柯爾文而使其成為可能,然而她卻被世人所遺忘。現年84歲的她仍定居於美國。

主創團隊的話 身為黑人女性,需要對抗什麼? 從未有人能自過去穿越到當代回答這個問題。 這是全球熱議話題,在這個性別與種族主義不斷挑起爭端的時代,克羅黛特.柯爾文(Claudette Colvin)的故事便顯得格外重要,她的經歷是非裔美國人的歷史縮影。本作品《黑》講述克羅黛特英勇的反抗行徑,使人們了解為什麼她會被遺忘在歷史記載,同時也向那些在當代仍為人權發聲的鬥士們致意。 藉著擴增實境技術,我們能達成過往科技的未竟之事。現代的我們因為沈浸式技術得以與歷史的幽魂產生連結,使克羅黛特的故事成為了我們的故事。我們得以走進回憶漩渦,藉由一場體驗,讓這段歷史真正地成為了我們人生中實際經歷過的時刻。透過她的視角,我們觀看並感受著周遭環境,我們聽見她的思緒,支持著她去對抗種種磨難,也為她的遭遇心生憐憫。 

TIFA, Multiverses in Theater The concept of time in theater is inherently non-linear. Artists deftly navigate between the simultaneously existing and entangled past, present, and future. Often, they extract materials from memories or look back at the present from the perspective of the future. As spectators, we marvel at the fluidity of time and exclaim: "The present is simultaneously the past and the future!" For the 2024 TIFA, we invite audiences to traverse the temporal multiverses. We aim to revisit those unforgettable, exhilarating moments. Artists draw from their robust and radiant traditions to create works in a variety of formats that resonate with future. They rediscover innovative power within the classics or explore contemporary social interaction through creativity. We can even hop on a time machine created through technology to return to the site of an event, to engage in dialogue through the work. Join us in this journey! Let's accompany the boundary-defying artists as we navigate between the multiverses in theater. "The past can be revisited, and the future is within reach." This journey transcends the realm of physics; it is our present moment. Words from the Creative Team "What comes after the black woman? No one has come back to say." It is a hot topic. Today, when the essentialization of gender and color is at the centre of debates, it seems more than crucial to us to support the general public in the recognition of Claudette Colvin's story, a true metonym of the history of Black people in the United States. To relay her forgotten heroic act, to make people understand why it has been forgotten, and to pay tribute to other struggles that accompanied the battle for civil rights. Thanks to augmented reality, which makes it possible to unite our present with the ghosts of the past like no other technology, Claudette's story can become our story, enter our memories as an "experienced" moment of our lives. We can in turn see with her eyes, hear her voice echoing in our thoughts, support her against her tormentors, against our own conscience. Synopsis Colored is an immersive experience adapted from a biographical essay written by Tania de Montaigne, which premiered at the Centre Pompidou on 21 April 2023. The experience takes place in groups of ten people. Visitors prepare themselves with special equipment: Hololens 2 goggles, a bone conduction headset and a small backpack. They enter a 300-square-meter set that will soon be haunted by the ghosts of 1950s Alabama… Take a deep breath, breathe in, you are now in Montgomery, Alabama in the fifties. You are now in the skin and soul of Claudette Colvin, a 15-year-old Black girl with an unremarkable life. You walk out of class, you wait for the bus, you take your ticket. You have always known that being Black does not give you any rights, but it does give you a lot of duties. You know that there are White people on one side and you on the other. Once you have taken your ticket, you will go out and go up the back door. Once you are settled, you also know that if a White person does not have a seat, you will have to give up your seat. This is how it has always been in Montgomery." But on 2 March 1955, Claudette Colvin refused to get up. Despite the threats of the driver, who was armed, and of the other White and some Black passengers, she remained seated. Better still, after being arrested and thrown in jail, she decided to attack the city and plead not guilty, a first. Yet no one would remember her name. This was the beginning of a journey that would take Claudette Colvin from the civil rights struggle to abandonment. When, nine months later, Rosa Parks, a lighter-skinned seamstress, made the same move as Claudette, everything changed. Soon supported by a young pastor who had recently arrived in Montgomery, Martin Luther King, Rosa Parks became a heroine, the spark that launched the civil rights movement. History was on the march. Claudette Colvin made it all possible, but she is the one who has been forgotten. She still lives in the United States today. She is 83 years old. About production company Novaya Novaya is a company specialized in the creation of immersive artistic experiences using augmented reality. Their strength lies in the fact that they bring together artists, engineers, and film producers, allowing them to ensure both the writing of projects, the visual creation of real and virtual worlds, as well as the manufacturing of all the innovative technologies necessary for their realization (from computer development to electronic techniques and 3D printing). Flash Forward Entertainment Flash Forward Entertainment has been actively involved in the production of films, documentaries, animations, series, and immersive experiences. Known for its diverse themes and talent discovery, it recently achieved international recognition with the co-produced film Tiger Stripes , which won the Grand Prize award at the 2023 Cannes Film Festival's Critics' Week section. Credits Playwright: Tania de Montaigne Directors: Pierre-Alain Giraud, Stephane Foenkinos Producers: Emanuela Righi, Pierre-Alain Giraud, Patrick Mao Huang English Version Narrator: Tania de Montaigne Mandarin Version Narrator: Gwei Lun-mei Main Character: Rebecca Naluyange Original Music: Valgeir Sigurðsson Sound Design: Nicolas Becker, Valgeir Sigurðsson Set Designer: Laurence Fontaine Light Designer: Philippe Berthom Costume Designer: Wang Chia-hui Production Designer: Wang Chih-chen Sound Recordists: Chou Cheng, Huang Tsai-en Technical Director: Mathieu Denuit System Engineer: Pierre-Luc Denuit 3D Artist: Louis Moreau 3D/Unity Developer: Alban Niemaz Production Manager: Christa Chen Production Coordinator: Alice You Production Companies: Novaya, Flash Forward Entertainment Partnership: Pompidou Center Support: TAICCA, CNC, Rgion Auvergne-Rhne-Alpes, Institut Franais Special Thanks: Bureau franais de Taipei NTCH Team Organizer: National Theater & Concert Hall Project Manager: Gin Huang Executive Producer: Huang Hui-ting, Tsai Wen-wen Receptionist: Lee Hua Marketing Project Manager: Tseng Yi-hsuan Technical Coordinator: Yvonne Chen Stage Manager: Lai Ding-shiang, Wang Li-hsuan, Hung Yi-rou Game Master: He Yu-wei, Yu Jia-ci Head of Stage: Wen Wang Head of Lighting: Kenny Ching Stage and Lighting Crew: Chang Shih-ti, Chi Hua-ling, Cheng Chu-shin, Chang Hong-da, Chou I-hsuan, Yu Cheng-yan, Shu Shi-kai, Hang Tian-fu, Huang Ching-chun, Liu Tsung-po, Zachary Hou, Adrian Ko, Chen Wei-ju Sound Engineer: Wu Ang-lin Sound Crew: Chen Ming-hung, Chu Chia-te Internet Coordinator: Ding li Venue Assistant: Lin Jia-han, Chang Shang-tse, Tseng Chih-yun, Lin Chih-chun, Huang Jing-rung, Wu Min-hsuan, Deborah Kay Yen-lin Computing Support: Quanta Computer, Quanta Research Institute Technical Support: JieYun Industrial CO., LTD, SAMLIFE TECHNOLOGY CO., LTD Exhibition Design and Display: Manufactured Landscapes Very appreciate for your feedback! This is an online questionnaire: Online Questionnaire

曲目

《黑》

"Colored"

典藏訊息

典藏單位:國家兩廳院

媒體類型:電子檔

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