2024TIFA 青春版《牡丹亭》二十週年慶演

The Peony Pavilion—The Youth Version by Pai Hsien-yung

基本資料

節目介紹 上本 〈夢中情〉 南宋時期，南安太守杜寶家教森嚴，獨生女杜麗娘嫻靜嬌美，一天與侍女春香私出遊園，觸景生情，因感成夢，夢中與俊逸書生柳夢梅相會於牡丹亭，兩人繾綣纏綿。夢醒後麗娘情思綿綿，抑鬱成疾。她自知不起，便對鏡自畫春容，並題詩記夢，終傷情而死。 中本 〈人鬼情〉 麗娘鬼魂在地府受判官審問。判官查姻緣簿得知麗娘與柳夢梅日後有姻緣之份，放她出枉死城。另一邊廂，果有書生柳夢梅寄寓南安，偶拾麗娘寫真，心生愛慕，情深感動麗娘魂。二人穿透陰陽同拜天地成婚。柳為愛冒死開墳，麗娘為柳郎回生。 下本 〈人間情〉 因怕開棺事發遭官府捉拿，柳夢梅與麗娘避難臨安，寓居杭州，因柳赴考在即，二人新婚燕爾，乍又分離。柳夢梅歷盡艱辛，尋訪岳丈岳母，卻反遭杜父誤為盜墓賊人拷打羈押。幸得夢梅高中狀元，金鑾殿上，杜府闔家歡喜重聚。 藝術家介紹 江蘇省蘇州崑劇院 蘇州崑劇院作為崑曲發源地的專業院團，堅持古老傳統樣式，純正崑劇風貌，在全中國崑劇院團中獨樹一幟。 繼 「傳」字輩之後，相繼培養「繼」、「承」、「弘」、 「揚」、「振」五代蘇州崑劇人 。 近十年來成功打造了青春版《牡丹亭》、《長生殿》、中日版 《牡丹亭》、《白羅衫》、《玉簪記》、《西施》、《爛柯山》、《紅娘》、《滿床笏》、《白兔記》、《白蛇傳》等品牌劇目。在傳承藝術經典的同時，弘揚優秀傳統文化，煥發了崑曲藝術的時代青春，成就了崑曲文化現象。 總製作人／藝術總監：白先勇 臺灣文學作家、當代華語文壇最重要的創作者之一。 自詡「崑曲義工」，近年致力於推動崑曲新美學，其製作之青春版《牡丹亭》、新版《玉簪記》 在海內外均得到極高贊譽。青春版《牡丹亭》曾在海內外三十多所高校巡演，吸引數十萬青年學生觀眾，在華人世界造成崑曲復興運動。 演出暨製作團隊 原著：湯顯祖 總製作人／藝術總監：白先勇 製作人：蔡少華、樊曼儂 藝術指導：汪世瑜、張繼青 (d.) 總導演：汪世瑜 導演：翁國生 總統籌：林琳 統籌：俞玖林、唐榮、周雪峰、杜昕瑛 劇本整編：白先勇、華瑋、張淑香、辛意雲 音樂總監／唱腔整理改編／音樂設計：周友良 美術總監：王童 副導演：張天樂 導演助理：馬佩玲 舞臺設計：王孟超 燈光設計：黃祖延 舞蹈設計：吳素君、馬佩玲 服裝設計：王童、曾詠霓 唱念指導：姚繼焜、毛偉志、周秦 舞臺監督／舞臺技術指導：李強 書法：董陽孜 繪畫：奚淞 攝影：許培鴻 顧問：古兆申 (d.)、朱棟霖、周秦、鄭培凱 舞蹈排練指導：呂佳 舞蹈排練助理：趙穎 英譯字幕：李林德 英譯劇碼：陳毓賢 演出單位：江蘇省蘇州崑劇院 共同主辦：國家兩廳院、群動藝術有限公司 贊助單位：競衡集團、趨勢教育基金會 投影技術協力：台達電子文教基金會 歡迎填寫 線上問卷

Synopsis Part One: "Love in a Dream" The story takes place in the Southern Song period. Du Li-niang, daughter of Prefect of Nan'an Du Bao, is a quiet and sweet beauty. One spring day, while she goes to the back garden and sees the beautiful spring scene, her amorous heart is awakened. She falls asleep and dreams of having an amorous encounter with a handsome scholar at the Peony Pavilion. She wakes up and begins to pine for the elusive love, so much so that she soon dies. Part Two: "Love between a Mortal and a Ghost" There is a scholar named Liu Meng-mei, who finds a portrait of Li-niang and expresses his admiration for her beauty. The spirit of Li-niang is invoked, and despite the rift between the worlds of the living and the dead, the two become husband and wife. Liu goes to Li-niang's tomb to resurrect her out of true love, and Li-niang returns to life. Part Three: "Love in this World" But no sooner is the couple enjoying their newly married life than they are forced to part. Liu wades through thick and thin to find Li-niang's father, only to be treated as a tomb raider, tortured and beaten. Later, Liu comes first in the national civil examination. At the imperial court, he is highly honoured by the emperor, and the whole family is reunited. About the Artists Suzhou Kunqu Opera Theatre of Jiangsu The Suzhou Kunqu Opera Theatre of Jiangsu, a professional performing arts company rooted in the birthplace of Kunqu, distinguishes itself by preserving the traditional format and unadulterated style of Kunqu Opera. Its veteran actors, adopting 'chuan' in their stage names, initiated a legacy spanning five generations of artists in the Suzhou stylistic school of Kunqu Opera with their middle characters such as 'Ji', 'Cheng', 'Hong', 'Yang', and 'Zhen'. Over the past decade, the company has achieved significant milestones in the Kunqu Opera realm and cultural landscapes at large. Notable productions include such as The Peony Pavilion – The Youth Version , The Palace of Eternal Life, The Peony Pavilion – Botantei Sino-Japanese Version , The Great Beauty Xi Shi, The Tale of the Jade Hairpin, Scepters Piling on the Couch, The White Silk Gown, The Legend of the White Snake, The Story of the Pipa, etc., contributing to the art form's perpetuation and making Kunqu a timeless cultural phenomenon. General Producer & Artistic Director：Pai Hsien-yung A prominent Taiwanese literary figure, known for revitalizing Kunqu Opera through acclaimed productions like the youth version of The Peony Pavilion – The Youth Version and the new edition of The Tale of the Jade Hairpin , garnering widespread praise and sparking a Kunqu revival movement worldwide. Artistic and Production Team Original Work: Tang Xian-zu General Producer & Artistic Supervisor: Pai Hsien-yung Producer: Cai Shao-hua, Fan Man-nung Artistic Directors: Wang Shi-yu, Zhang Ji-qing (d.) Chief Director: Wang Shi-yu Director: Wen Guo-sheng Chief Coordinator: Lin Lin Coordinator Planning: Yu Jiu-lin, Tang Rong, Zhou Xue-feng, Du Xin-ying Libretto Adaptation : Pai Hsien-yung, Hua Wei, Chang Shu-hsiang, Hsin Yi-yun Music Arranger, Musical Arrangement & Orchestration, Music Design : Zhou You-liang Artistic supervisor: Wang Toon Associate Director: Zhang Tian-le Assistant Director: Ma Pei-ling Stage Design: Austin M.C. Wang Lighting Design: Wong Choo-yean Choregraphy: Wu Su-chun, Ma Pei-ling Costume Design: Wang Toon, Tseng Yung-ni Singing & Diction Directors: Yao Ji-kun, Mao Wei-zhi, Zhou Qin Stage Manager ＆ Stage Technical Director: Li Qiang Calligraphy: Tong Yang-tze Graphic Art: Shi Song Photography: Hsu Pei-hung Consultants: Gu Zhao-shen (d.), Zhu Dong-lin, Zhou Qin, Zheng Pai-kai Dance Rehearsal Director: Lyu Jia Dance Rehearsal Assistant: Zhao Ying English Translation: Lindy Li Mark English Scene Titles: Susan Chan Egan

青春版《牡丹亭》

"The Peony Pavilion" -The Youth Version

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