瘋迷24舒伯特 24 Hours SCHUBERT

24 Hours SCHUBERT - 【Sleep No More at Midnight】 Claude LIN in Recital

基本資料

本場音樂會以舒伯特三大「聯篇歌曲」做為主軸。「聯篇歌曲」指的是作曲家將多首藝術歌曲組成一個大套曲，基本上會要求依照順序演出，以完整傳達歌詞與音樂的整體意念與效果。

《美麗的磨坊少女》被視為是音樂史上第一部藝術性成熟的聯篇歌曲，完成於1823 年，舒伯特採用了詩人穆勒（Wilhelm MÜLLER）的詩作，講述一位磨坊工暗戀磨坊主的女兒不得，在溪邊小路傷心漫步時睹物思情，最終投入小溪中。全曲共20 首，《駐足》是第3 首，磨坊工看到水車，想起自己在磨坊工作的情形，興奮開心地呼喚著，鋼琴則是不斷展現水車轉動感；《磨坊少年的花朵》是第9 首，鋼琴沈靜的旋律表達出溪邊小花的隨風飄逸，磨坊工則因為藍色花朵想起磨坊少女的眼睛；《磨坊少年和小溪》是第19 首，歌者將同時唱出磨坊工與小溪的對話，最終磨坊工說出溪底才是能讓他平靜的安息之處。

《冬之旅》完成於舒伯特30 歲，同樣取材自穆勒詩作，描述旅人在冬季嚴寒中漫步，講述自己對於愛情的絕望。《冬之旅》全曲共24 首，《菩提樹》是第5 首，此樹在曲中是旅人經常駐足、感到平靜之處，鋼琴則用三連音表

達出風吹樹影動的景象；《郵車》是第13 首，一開始就能聽到鋼琴模仿馬車與郵號的快速馳走聲，旅人則是想到自己曾因為期待愛人的來信而興奮不已；《搖琴老人》是最後一首，旅人在路邊碰到了一位手搖琴師，鋼琴則代

表著這個手搖琴循環的聲響，不管旅人怎麼提問，搖琴老人皆沒有回應，最終旅人講出可否與老人一起離開，老人也不為所動，後世也認為老人代表的是死神，暗示了旅人最終可能的結局。



《天鵝之歌》其實並不算是聯篇歌曲，而是舒伯特過世後，集合他最後歲月寫下的14 首歌曲出版的成套樂譜，名稱來由是天鵝在死前會唱出優美旋律的傳聞。《小夜曲》是鋼琴模仿曼陀林撥奏的小情歌，旋律十分琅琅上口；

《阿特拉斯》中歌者把承受的悲傷比喻為扛著世界的希臘神話人物阿特拉斯，鋼琴也從起頭就給予非常強烈的節奏；《信鴿》據信是舒伯特最後一首藝術歌曲創作，歌者講述自己每日放出信鴿與愛人通信往來，風格非常輕快

愉悅。

舒伯特還有大量藝術歌曲，本次林健吉特別精選《致夕陽》、《致月亮》、《夜與夢》等精彩作品，並且以《魔王》作結，這是舒伯特最早也最具代表性的藝術歌曲創作，取材自文豪歌德的之作，《魔王》要求歌者同時演繹旁白、父親、兒子與死神四個角色，鋼琴也傳達出馬蹄聲、風雪聲等激烈環境的回應，是不到五分鐘就能展現出高潮迭起的戲劇化之作。

Claude LIN in Recital

This concert focuses on three of Schubert's "song cycles."【Die Schöne Müllerin】(The Fair Maid of the Mill) is considered the first artistically mature song cycle in the history of music. SCHUBERT adapted poetry by Wilhelm MÜLLER, about a young miller who falls in love with another miller's daughter, into twenty songs. The miller's daughter is out of his reach, and eventually, strolling the path along the brook, the young miller is overwhelmed by the memories, and drowns himself. This performance will include three of the twenty songs in the cycle. Halt! is the third. When the young miller saw the watermill, he remembered the good memories while he was working at the mill. He calls out excitedly, as the piano imitates the vigorous turning of the mill wheel. Des Müllers Blumen (The Miller's Flowers) is the 9th song. The quiet melody of the piano depicts the flowers beside the brook flowing with the wind. The blue flowers remind him of the blue eyes of the girl. Der Müller und der Bach (The Miller and the Brook) is the 19th song. The singer sings the dialogue between the miller and the brook, and finally, the miller reveals that the bottom of the brook is the only place where he can rest peacefully. 

【Die Winterreise】(Winter Journey), based on Müller's poems, describes the traveler walking in the cold winter and telling of his despair. It comprises 24 songs. Der Lindenbaum (The Linden Tree) is the 5th. This tree is a place where travelers often stop and feel calm. The piano uses triplets to represent the scene of wind blowing and tree shadows moving. Die Post (The Post) is the 13th song. From the very beginning, you can hear the piano imitating the fast galloping sound of carriages and the blast from the post horn. The traveler recalls the time when he was so excited to receive a letter from his lover. Der Leiermann (The Hurdy-Gurdy Man) is the last song of the cycle. The traveler sees an old hurdy-gurdy player. The piano represents the wheelturning sound of the instrument. No matter what the traveler asked, the old man did not respond. In the end, the traveler asked whether he could leave with the old man, and the old man was not moved. Later generations believed that the old man stands

for the god of death, hinting at the final ending of the traveler. 

【Schwanengesang】(Swan Song) is not actually a song cycle, but a set of music scores published after SCHUBERT's death, which collected 14 songs written in his last years. The name comes from the legend of the beautiful melody swans sing before death. The melodic piano in Ständchen (Serenade) imitates the plucking of the mandolin; in Der Atlas (The Atlas), the singer compares the grief he suffered to Atlas, the Greek mythological figure carrying the world, with the piano also presenting a very strong rhythm from the beginning; Die Taubenpost (The Pigeon Post) is believed to be SCHUBERT's last lied composition. The singer narrates that he sends out a pigeon every day to communicate with his lover, with a very brisk and happy style. In addition to song cycles, this concert includes several other lieder: An die Untergehende Sonne (To The Sunset), An den Mond (To The Moon), Nacht und Träume (Night and Dreams), and Der Erlkönig (The Elf-king), which is SCHUBERT's earliest and most representative lied adapted from the poem of Johann Wolfgang von GOETHE. Der Erlkönig requires the singer to perform the four roles: narrator, father, son, and the god of death. The piano conveys the response of the fierce environment such as the clatter of a horse's hoofs and the sound of wind and snow. It's a short but dramatic piece. 

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