檔案1
酒神與海妖
NSO Kaleidoscopic France-An Evening with Bacchus
基本資料
2012-10-27
2012/10/27
庫普蘭約與巴赫同時代，是鍵盤演奏名家，更是法國音樂先趨。拉威爾譜寫鋼琴曲《庫普蘭之墓》向前輩致意，每首又分別獻給第一次世界大戰為國捐軀的友人。
聖桑第一號大提琴協奏曲，力道飽滿，全曲各段相連、一氣呵成近二十分鐘，在法國大提琴巨星葛替耶爾‧卡普頌的執弓下，勢將撼人心絃。
受到畫家惠斯勒作品啟發，德布西《夜曲》以管絃樂素描時、物與自然，從「雲」、「節日」，以至第三樂章「海妖」，無歌詞的女聲合唱，神秘、充滿誘惑。
盧賽爾芭蕾舞劇《酒神與亞麗安娜》終至結尾的酒神祭，樂音陷入集體狂歡，相當酣暢淋漓。
Gautier Capuçon has been called “A young star in the cello firmament" by Gramophone. Since winning the French Victoires de la Musique as “New Talent of the Year" in 2001 he has quickly established himself as one of the leading cellists of his generation. Gautier Capuçon studied in Paris at the Conservatoire National Superieur de Paris with Philippe Muller, Annie Cochet-Zakine and Christophe Egiziano, as well as Heinrich Schiff in Vienna. In addition to numerous first and second prizes in international competitions, Gautier won the Cello and Chamber Music Prize at the Conservatoire in June 2000 and received a Burlotti-Buitoni Trust award in 2004. His musical experiences progressed greatly while playing in the European Community Youth Orchestra and the Gustav Mahler Jugendorchester, as he was afforded opportunities to work with Bernard Haitink, Kent Nagano, Pierre Boulez, Daniele Gatti, Seiji Ozawa and Claudio Abbado, with whom he has taken part in two European tours. Gautier Capuçon plays a 1701 Matteo Goffriler cello.
莫里斯‧拉威爾(1875-1937)：《庫普蘭之墓》-〈前奏曲〉、〈賦格曲〉、〈佛蘭舞曲〉、〈里高東舞曲〉、〈小步舞曲〉、〈觸技曲〉
卡米爾‧聖桑斯(1835-1921)：第一號大提琴協奏曲-不太快的快板、速度稍快的小快板、不太快的快板
克勞德‧德布西(1862-1918)：交響組曲《夜曲》-〈雲〉、〈慶典〉、〈海妖〉
亞伯特‧盧塞爾(1875-1937)：《酒神與亞麗安娜》第二號組曲
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